What to expect when you hire a choir
Everything you need to know about booking professional singers for a funeral, wedding, or ceremony — from first enquiry to the day itself.
Honest, practical advice on choosing music for the occasions that matter most — from the musicians who perform at them every week.
Everything you need to know about booking professional singers for a funeral, wedding, or ceremony — from first enquiry to the day itself.
Every musical moment from processional to recessional — what to choose, when it happens, and how to make it work.
What it costs to fly a choir out, how far ahead to book, the work-permit question, and what changes with no organ and no stone.
How to pick wedding hymns your guests will actually sing, with suggestions for every style of ceremony.
Everything you need to know about booking professional singers for your wedding — ensemble sizes, what they sing, and how to book.
How to judge a wedding choir before you book: qualifications, ensemble sizes, and how London prices compare.
How to find and book the right organist, what they play at each point in the ceremony, and what it costs.
How to coordinate readings and musical selections for emotional flow — with popular pairings and practical timing advice.
What wedding organists, singers, choirs, and instrumentalists actually cost — a clear breakdown with no hidden fees.
A ranked guide to the organ pieces couples book most often — classical and modern combined, with notes on which one suits which church.
The organ pieces that carry a church wedding — processionals, register-signing music, and triumphant recessionals.
Pop, film, and musical theatre songs that work on a church organ — what to choose, what falls flat, and how to brief your organist on a bespoke arrangement.
Pop songs arranged for four-part voices for a church wedding — modern love ballads, classic standards, and practical advice on bespoke choral arrangements.
The choral anthems, motets, and solo pieces that make a wedding ceremony extraordinary — from Ave Maria to Ubi Caritas.
Beyond Ave Maria — Renaissance motets, English cathedral anthems, and modern choral works that make a ceremony feel distinctive without feeling obscure.
Going beyond the standard formula — creative ideas for wedding music that will surprise and move your guests.
Why this ancient Irish hymn is the finest choice for a wedding — words that read like a love poem, a melody everyone can sing, and a sound that fills any church.
Why Ola Gjeilo’s setting of the antiphon about love itself suits the signing of the register — how it differs from Duruflé’s, and how many singers it takes.
Why Parry’s 1916 setting of Blake’s poem opens or closes a wedding like nothing else, where to place it, and what it sounds like with brass and a soprano descant.
The secular choral repertoire for a celebrant-led ceremony — part-songs, folk arrangements, madrigals, and the King’s Singers close-harmony catalogue, plus the standards that turn out to be prayers.
Why Marco Frisina’s setting of the Latin prayer suits the Communion of a Nuptial Mass, why parishes accept it, who sings it, and the one line couples should know about first.
A practical, step-by-step guide to selecting hymns, solo pieces, and instrumental music for a funeral service.
The hymns families choose most often, what makes each one work, and how to decide which are right for your service.
The non-hymn songs families choose most often, from Time to Say Goodbye to My Way — with advice on live performance vs recordings.
A practical guide to music at a crematorium funeral — timing constraints, acoustics, live vs recorded, and making a shorter service feel complete.
A clear breakdown of what funeral singers, choirs, and instrumentalists actually cost — with no hidden fees.
How music at a celebration of life differs from a traditional funeral, and how to choose pieces that honour someone’s personality.
The hymns and sacred music most often chosen for a Catholic funeral Mass — what works at each point in the liturgy, and how to choose well.
The Latin prayer that asks to be called in the hour of death — where Frisina’s setting sits in a Requiem Mass, and why families know the words as Soul of My Saviour.
A practical guide to choosing music for a non-religious, secular, or humanist funeral — from popular songs and classical pieces to live performance.
Everything you need to know about having a choir at a funeral — what they do, what they sing, and what difference it makes.
How to choose funeral singers in London: ensemble sizes, market price ranges, and the questions to ask before you book.
What we can arrange within a week or within forty-eight hours, what to have ready when you call, and how the same-day confirmation works.
A step-by-step guide to planning a memorial service — from choosing the format and venue to selecting music and readings.
Why this ancient Irish hymn offers comfort without cliché — and sounds extraordinary with a choir at any funeral or memorial service.
Why Henry Francis Lyte’s 1847 hymn moves congregations like nothing else, why William Henry Monk’s tune is built for grief, and what it sounds like with a professional choir.
How to organise a carol service for your company — venue, choir, carols, readings, and logistics.
Carol singers for parties, dinners, and receptions — what they do, what they sing, and what it costs.
How live choral music transforms a corporate Christmas celebration — formats, repertoire, and booking.
The crowd-pleasers, the hidden gems, and how to build a programme everyone will enjoy.
A step-by-step planning guide for a workplace carol service — from venue to running order.
Qualifications, ensemble sizes, market price ranges, and the questions to ask any provider before you book.
The history, the nine readings and who reads them, where the carols sit, and a worked order of service for a church you have booked.
Carol singer prices for 2026, from £250 for a soloist to £3,000 for a twelve-voice chorus — and why December costs the same as June.
Booking a December church, building a running order around carols, readings, and the appeal, briefing VIP readers, and budgeting the music.
Which format suits a lobby, a festive afternoon tea, a ballroom, and a light switch-on — and how to schedule singers across December.
Where to hold a building carol evening, how the evening is shaped, and the per-household arithmetic for a service-charge budget.
December fills from the top down: which dates go first, what is still bookable month by month, and what booking early actually buys you.
What each route gives you, what a listing cannot tell you, and the questions to ask before you pay a deposit.
Sizing a booking by the room rather than the guest list — what four, six, eight and twelve voices each cover.
Which carols gain from one voice per part, which need six or eight, and how to build an hour for a quartet.
The running order, which carols suit low light, how the singers read the music, and what venues allow.
Markets, switch-ons and streets: how many voices open air needs, weather, cold, and what to provide.
The Christmas songs that work unaccompanied, the ones that do not, and how to mix songs with carols.
For parishes and schools without a choir of their own — what to book, how it works with your organist, and what it costs.
When the singing should start, roaming or stationary sets, how loud is right, and where to put the singers.
A sung grace, set pieces between courses, and where music sits in a running order full of speeches.
Client entertaining, City office acoustics, building management, and how the December diary fills.
The archaic phrases, the mistranslations, and the lines most people get wrong — including where the comma belongs.
Two seasons, two repertoires: what belongs before 25 December, and how to programme a service in between.
When you’re ready to discuss music for your occasion, get in touch or view our services and pricing.
“I had no idea where to start with the music — it all felt a bit overwhelming. She talked me through a few options and within ten minutes we had it sorted. Such a weight off my mind.”